| |
| |
| 2010 |
 |
| 2007 |
 |
| 2006 |
 |
 |
 |
| 2005~ |
 |
| 2005 |
 |
| 2004 |
 |
 |
 |
| 2003 |
 |
| 2000 |
 |
| 1999 |
 |
 |
|
| |
|
| |
| |
White floor, a state of surface, and the thing under that |
| |
1999 |
| |
GALLERY YAMAGUCHI / Tokyo, Japan |
|
| |
 |
| |
 |
| |
| |
(C)Fumie Wada / photo : Yasunori Tanioka |
| |
enameled cloth, silicon, sheet aluminum (mirror surface), poryurethane |
| |
|
|
| |
|
| |
| |
Soft square pieces wrapped in white enameled cloth were placed about |
| |
40cm above the floor of the exhibition room, and a mirror surface was |
| |
installed on the side below the arrangement. |
| |
Depressions were made on the square pieces at regular intervals and white |
| |
silicone was poured into them. |
| |
The temporary floor as an object of visual appreciation gives the impression |
| |
of unsteadiness if one were to stand on it. |
| |
The mirror on the side gives the feeling that the floor might be floating in |
| |
air and also reflects the feet of the viewer and the actual floor on which |
| |
he/she is standing. |
| |
|
| |
(C)Fumie Wada / translation : Naoko Kawano |
|
|